If
you are like me, you probably ask yourself on a daily basis, "what ever
happened to that little person that was in Def Leppard? What was his name…something
Willis?"
Continuing
that thought, "He should totally hook up with Paul DiAnno! I'm sure they have a day or two to
spare, right?" Given that 3 Doors Down was able to write their mind
blowing hit "Kryptonite" in 20 or so minutes (I was literally
floored when I found out that the
lyrics were not only written in record time, they were also penned by a 15 year
old), surely a couple of days could yield some hits 48x better (assuming an 8
hour "work" day).
Well,
we need ask ourselves no more. As it
happens, they got together and cranked out some true sonic gems, and in the
process added some glittery goodness with none other than Iron Maiden's future prancing pixie guitar player,Janick Gers. Much like what 3 Doors
Down was able to do with "Kryptonite", Lil’ Willis, Prancer, and
Di’Anno along with two other dudes produced three timeless classics that
answered once and for all our incessant self contemplation.
They tackled some hard hitting issues, that
until I heard this EP, had never thought of, much less was able to make sense
of. Issues like: "if I got stuck in
a fucking time warp, what would it be like?" Of course, thanks to Di’Anno I now know that
time warps are in fact, boring.
“Living
in a fucking time warp
I'm living in a fucking time warp
Boring, it's so boring
Boring, it's so boring”
I'm living in a fucking time warp
Boring, it's so boring
Boring, it's so boring”
In LA, there is actually a very well known “time
warp” where for only $10 anyone can travel back to '86 any night of the week
called “the Rainbow.” Here you can be
sure that your Rainbow Warp experience will be complete with sightings of at
least one Appice brother, numerous non-ironic-guys-with-a-mullet-and-a-fanny-pack,
and probably Tom Morello. Speaking of Rainbow
Tom, I'm pretty sure that in '86 he still had hair, so presumably Rainbow Tom should
look like this
(when I last ran into Rainbow Tom outside
the Warp bathroom, he did not have any hair…presumably this is just a minor Warp
glitch). That said I’m not sure what
time warp Di’Anno is referencing, because my experiences in the Rainbow Time
Warp have been nothing short of amazing.
Di’Anno then goes on to say…
“Cooking
in a heat wave, freezing in the ice
there's nothing new for me, my jaded appetite is tired, tired”
there's nothing new for me, my jaded appetite is tired, tired”
My best guess is that Di’Anno is referencing
the limited cuisine available in his homeland of “Ye Olde America:”
Which has been eaten since the middle ages
by the non-LARPA versions of these guys:
“Really!!??
Sheep heart-liver-lungs stuffed in animal stomach again!!! SOOOOO fucking BORING. Its like I’m living in a fucking time warp!!”
said Di’Anno. And then “Living in a
Fucking Time Warp” was born…
Not content to put out just a single, Di’Anno
trudged on with his guild of fantasy creatures drawing inspiration from some
socio-political issues that cried for the added awareness that only guitar
solos can impart (I can only assume that Lil’ Willis provided the actual solos
while Prancer acted them out through interpretive dance in the control
room). This song was to become “Its
Illegal, Its Immoral.”
“Don't
put that weed in your mouth, boy
Take that sweet young thing off your lap”
Take that sweet young thing off your lap”
First up for our consideration: putting weed
in your mouth and lap dances. Here in
America, weed is most commonly consumed by smoking from what I have read,
though it seems Di’Anno’s preferred method of consumption is more akin to
chewing tobacco. Given that the only
legal sustenance available in Ye Olde America is animal entrails, I can
understand why he would go to any length to get that taste out of his mouth…even
going so far as to ruin some perfectly good weed by sucking on it like a breath
mint. Di’Anno goes on to echo the
establishment’s argument that while he does in fact like them, these two things
are not only illegal, but that they are immoral and unhealthy. If Di’Anno’s goal here to have me call these
common views of the establishment into question, then question I will! Okay…to be perfectly honest, he had me at smoking
eating weed and lap dances…shear awesomeness will always trump issues of
legality, morality, and health in my book.
That said, I find myself questioning Di’Anno and his Fantasy Creature
Crew (primarily Lil’ Willis) more than balking at “the Man.” Having partaken in read about both activities
(and yes, at the same time…REALLY awesome btw), I question whether or not partaking
in any amount of either would result
in looking like this:
All I’m saying is that Lil’ Willis may be
detracting from the intended irony of the song’s message. To be fair, it is equally possible that Lil’
Willis missed the second verse and had not been warned to avoid putting his
foot down too far…or for that matter not to mess where he wanted not to mess.
“Don't
put your foot down too far now
And don't mess where you want not to mess
Either your health or society's protector
Is going to catch up with you one day, boy”
And don't mess where you want not to mess
Either your health or society's protector
Is going to catch up with you one day, boy”
(That’s
gonna leave a mark…)
I’d also question how many people have
actually received a “long term prison rap” for smoking eating weed and receiving
lap dances.
“If
you survive this antisocial behaviour
you're going to have to face a long-term prison rap”
you're going to have to face a long-term prison rap”
Maybe things are different in the Land of Entrails,
but here in the good ole’ US of A lap dances are a God given right (I think
they are directly mentioned in our Constitution’s 2nd Amendment
somewhere after that part about militias and before the Right to Bare Acrylic Shoes
and Pedal Exorbitantly Overpriced Drinks).
USA! USA!
Then there’s the final song of this epic
EP. This last creation might be
considered something that should be
illegal and is definitely immoral and unhealthy (or just really awesome
depending on your point of view)…
Okay, this is not the third song of the
Gogmagog EP (“I Will Be There” was the actual track…a cover of the old Russ
Ballard “hit”), though
in a perfect world it would have been.
From the first time I put on Iron Maiden’s eponymous debut and heard
Di’Anno, I knew he was destined for something more…something much more, well, funky.
There is no denying that the funk is rather strong with Di’Anno, and much
like “Kryptonite,” I could listen to this track all day long. If only there was
a means to warp back through time that wasn’t so boring, then maybe this EP could
be warped into greatness. Alas, until
warps become a more entertaining means of time travel, I’m afraid this is all
we will ever hear from the mighty Gogmagog.
Who IS "society's protector"?
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